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March 2010
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The Reinvention Conference

I just got back from a joint conference of the Surface Design Association and Studio Art Quilt Associates. I am a member of both organizations. While this was not the first professional conference for artists I had attended, I thought it was the most useful. Rather than focus on techniques or professional development the focus of the conference was very much about identity. How does fiber art and the art quilt fit into the art world today.
I stopped asking myself why I wanted to work in fiber, as opposed to paint, a long time ago. For me the tactile and manipulative qualities of fabric perfectly mesh with my desire to create innovative and interesting works of art. I did, however, start asking myself “to what extent do I allow public perceptions of fiber artists and art quilts to influence my creative decisions?” There were many interesting speakers at the conference and I know I will be mulling over their comments for some time to come.

Lacey Jane Roberts, Dropping Stitches. (Detail) Hand-knit yarn. 10ft x 20ft. 2002.

Lacey Jane Roberts, Dropping Stitches. (Detail) Hand-knit yarn. 10ft x 20ft. 2002.

Lacey Jane Roberts was one of the participants in a panel of emerging artists. Her work reflects her love for, and understanding of, the power of the word. She’s an interesting and motivating speaker who seems to have a solid bead on the art world. If you would like to see more of her work, please visit her website at
www.laceyjaneroberts.com
I thought LJ’s tools for working were just hilarious. She creates these knitted forms, not just with regular knitting needles, but with kids crank-style knitting machines – in particular, a lovely sparkly Barbie knitting machine. I thought I had seen every thing in knitting machines . . . how did I miss that? Here are a couple more great works by LJ. I just could not stop laughing at Armed and Dangerous. Hope you enjoy them too.

We couldn’t get in. We couldn’t get out.  Detail. Installed in Clarion Alley, San Francisco, California. Detail. Hand-woven wire, crank-knit yarn, steel poles, assorted hardware. 10’ x20’. 2006-2007

We couldn’t get in. We couldn’t get out. Detail. Installed in Clarion Alley, San Francisco, California. Detail. Hand-woven wire, crank-knit yarn, steel poles, assorted hardware. 10’ x20’. 2006-2007

Lacey Jane Roberts

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